"Your Introduction is the best essay on the American West I’ve ever read." – FrankWaters
"I like the introduction , which corroborates some notions I have held for a long time. Let’s hope
your book will persuade at least a few readers that not all western writing is Shaeffer or
L’Amour. This is a really good, various, rich collection. I’ll treasure it, quote
it, and plug it." – Wallace Stegner, Pulitzer Prize winning novelist
"The book is beautiful, and the introductory essay brilliant. I am sure it will be the kind of essay
we all return to over the years. And the book should be the anthology on western literature for
many years to come." -- Rudolfo A. Anaya, author of Bless Me, Ultima and other Chicano
classics
"A substantial anthology which should interest a general reader and be useful for courses in
western American literature or -- given the variety of stories and their approaches --
the writing of fiction." -- Robert A. Roripaugh, Western American Literature
"The argument here is that in an important way we did not win the West at all; we lost it. The
distinguishing sign of the modern, serious, post- romantic West, literarily, is precisely that
recognition, and an attempt to "win" the area truly –to be worthy of it. Blackburn thus sees a
certain tragic vision of history as necessary. Literary maturity is suggested when the writing,
along with a revised awareness of history evokes certain deeper, positive, and universal values.
This artistic fulfillment requires a journey into the interior country. In Blackburn’s vision, the
West is thus a very large and deep literary territory, much more significant than we may have
realized." -- Thomas J. Lyon, Journal of the Southwest
"For The Interior Country Blackburn has selected fiction from important writers from the
West: Frank Waters, Walter Van Tilburg Clark, Jean Stafford, William Eastlake, Raymond
Carver, Joanne Greenberg, and Wallace Stegner… The future of this region may depend most of
all upon its mythical past… Today, when man and earth are threatened by nuclear annihilation,
those shared myths become vital for our preservation. Blackburn hopes the rest of the nation will
listen to the West, the wisdom of the mythic past and the power of its mythic present. No
doomsayer, he insists our salvation resides with our ability to create and preserve stories and
myths that reveal our interconnectedness, our common humanity." -- Craig Lesley, Dictionary of
Literary Biography Yearbook l985
<- back to books page
|